Pixar is better at parenting than most parents out there.
As eleven-year-old Riley leaves her long time home of Minnesota with her mother and father for San Francisco several feelings and emotions work overtime to get a sense of her surroundings. These emotions take shape into characters in her mind as Anger (Lewis Black), Fear (Bill Hader), Disgust (Mindy Kaling), Sadness (Phyllis Smith) and Joy (Amy Poehler). Together they try to operate her state of mind as the emotions they represent with her memories as ways to guide that. However, Sadness can’t help herself from overwhelming Riley as she struggles to fit in her new surroundings and in the process Riley’s more crucial memories are lost deeper into her mind and it is up to the optimistic Joy and the pessimistic Sadness to retrieve those memories back to their control room before Riley breaks all her emotions entirely.
This movie has resorted my faith in Pixar and the art of family storytelling. When Pixar was starting to become an assembly line studio turning in sequels, prequels, and spin-offs that were either hit or misses (mostly misses) that were aimed to be a quick sell and Disney Animation had risen back and started a new renaissance with “Wrench it Ralph” and “Frozen”, I had predicted that Pixar would eventually be absorbed into Disney Animation in the future. What Inside Out has showed me is that Pixar are still the pioneers of creativity and imaginative storytelling that speaks to every age of every background in many forms, and Inside Out is possible their peak of that.
Before I say any more note that one viewing probably won’t be enough to grasp how cleverly the movie expresses itself and with each viewing one would find something new, even more so with a child seeing it now and later as they have grown.
The animation itself is vibrant and colorful and incredibly creative while still keeping the Pixar style of children’s animation, one scene in particular, had the animation style change entirely giving us a plethora of shapes and figures. The music is strongly composed and adds to the story and hits it’s cues when they want a certain emotion to be felt, the voice acting is sound and defined as each actor perfectly fits the literal emotions they are portraying. The humor is intelligent and simple at the same time. There are many instances in which a joke or gag is made that adults would likely grasp while keeping lots of easy physical humor and sight gags that all children above five can comprehend. Amy Poehler is an infectious Joy as she keeps a level head and determination set, we see her struggle but never do we see the struggle overcome her. Phyllis Smith’s Sadness is melancholy and always ousted from the group, but we see her purpose grow and show itself as she arches through the story, so seeing these two polar opposites working together brought out so much subtle dimension obvious namesake personas.
If I were to be nit-picky (and this is a real stretch for me) is that there is a character that’s introduced halfway that I found little more annoying than the others (my inner disgust talking) but as the movie progress and we saw the arch the character made that annoyance was replaced with admiration.
This movie will tug at your heart strings much like the last scene in “Toy Story 3” or the first scene in “Up”. We see the causes behind the actions Riley’s head in a very cartoonish and childish way, but we see the real world effects in a more tangible setting.
That in a nutshell, is it’s glorious achievement it’s ability to connect with each audience member whether they’re six or fifty-six. It doesn’t need poop or fart jokes to speak to the children nor does it need sex and pop-culture references to relate to the adults. As an adult we would identify the things Riley is going through because we have all had those emotions get the better of us and usually we wouldn’t have an explanation as to why and for a child the movie would shape their understanding of the world around them and give them clarity to the obstacles and changes they would eventually have to overcome.
I believe this movie would be used in children’s psychology class and film theory classes. There’s truly a life to it and it grows within someone if they reflect on it. It’s intelligent, humorous, creative new and challenging. It describes the why I named my blog what I named it. One would enjoy it for it’s merits, but there’s so much more than face value.
Verdict: A+